Return the Moon

A live performance created specifically for the Zoom platform

“A fairy tale, an act of collective creation and, as Third Rail describes it, ‘an offering, for dark nights’…a generous piece… made with kindness and care.”

— Alexis Soloski, The New York Times

About Return the Moon

Presented on Zoom (2021)

Return the Moon is a live performance created specifically for the Zoom platform which invites audience members to collectively construct a shared experience that is one part toast, one part ritual, and one part retelling of a very old story of how the Moon was lost and found again.  Matching decidedly analog tools of performance with the unique opportunities that the Zoom platform affords, Return the Moon combines text, movement, cinematic visuals, and music. It also enfolds offerings from audience members to create a rumination on remembrance and recurrence, the interplay of shadow and light, and how a shared experience might linger and reverberate over the passage of time. The work also features an epistolary component; after the performance, every audience member is mailed a package that contains content and interactive artifacts from their shared event.  

Return the Moon runs one hour fifteen minutes for 60 audience members per performance. During the show, audience members are invited, but not obligated, to contribute guided input that shapes how the work unfolds. This experience is designed with audience comfort in mind and affords a range of opportunities where guests can choose if and when they wish to contribute.

From the onset of this project, director Zach Morris and collaborators were interested in exploring how to center audience experience on a digital platform. Morris reflected on some of the initial points of inquiry that prompted this project, saying “I was curious how we might create a ‘remote’ project that felt inviting and intuitive, communal, and personal. I wondered what inspiration might be found in this now ubiquitous platform that has become kind of an artifact and metaphor for the dissonance of distanced connection. I was interested in what it meant to craft a work specifically for this medium that would acknowledge and engage with its strengths, its all-too-familiar challenges, and also capitalize on the opportunities that it could afford that would be otherwise impossible in a traditional theater setting.”   

The creators were also interested in the increased accessibility that a Zoom-based experience might afford both the creative team and audience members. By creating a work that exists in digital space, this project afforded the opportunity for artists who were in geographically disparate locations to work together and to simultaneously reduce the overhead costs associated with mounting an in-person production. Likewise, the digital/epistolary nature of this project allows audience members from around the world to attend the work while allowing the production to offer tickets at a much lower price point than might otherwise be possible. 

Return The Moon is designed for one person per device, but two people watching together works as well. More than two people watching together could be disruptive to the show.

Link to Zoom FAQ's

Third Rail Projects presented RETURN THE MOON in 2021, conceived and directed by Zach Morris and created by Alberto Denis, Kristin Dwyer, Joshua Gonzales, Sean Hagerty, Justin Lynch, Zach Morris, Marissa Nielsen-Pincus, Tara OCon, and Edward Rice.

Return the Moon is performed by Alberto Denis, Joshua Gonzales, Justin Lynch, Marissa Nielsen-Pincus, Tara OCon, and Kim Savarino. It was created by Alberto Denis, Kristin Dwyer, Joshua Gonzales, Sean Hagerty, Justin Lynch, Zach Morris, Marissa Nielsen-Pincus, Tara OCon, and Edward Rice with Assistant Direction by Marissa Nielsen-Pincus; Choreography by Marissa Nielsen-Pincus,  Alberto Denis, Joshua Gonzales, Justin Lynch, Zach Morris, and Tara OCon; Sound Design and Original Music by Sean Hagerty; Visual Design by Zach Morris in collaboration with Alberto Denis, Kristin Dwyer, Joshua Gonzales, Justin Lynch, Marissa Nielsen-Pincus, Tara OCon, and Edward Rice; Stage Management by Kristin Dwyer and Taylor Hollister; and Production Management by Kristin Dwyer, Marissa Nielsen-Pincus and Edward Rice. It is Produced by Zach Morris & Edward Rice.

Alt Text/Image Descriptions: A series of Zoom screenshot images from the project including: a man's profile in shadow with solar flare, a backlit silhouetted face with tree branches, hands on a piano keyboard, a man clutching his fingers at a table, small cutout houses projecting their shadows on a back wall, the shadow of a man in an open doorway with warm light in the room behind, a close up of a woman's fingers on a table, a detail of a tree branch, and a close-up profile of a woman staring into the light coming from above.

Credits

Return the Moon

Creative Team

Created by:  Alberto Denis, Kristin Dwyer, Joshua Gonzales, Sean Hagerty, Justin Lynch, Zach Morris, Marissa Nielsen-Pincus, Tara OCon, Edward Rice

Conceived and Directed by: Zach Morris

Assistant Direction by: Marissa Nielsen-Pincus

Choreography by: Marissa Nielsen-Pincus with Alberto Denis, Joshua Gonzales, Justin Lynch, Zach Morris, and Tara OCon

Performed by: Alberto Denis, Joshua Gonzales, Justin Lynch, Marissa Nielsen-Pincus, Tara OCon, and Kim Savarino. 

Sound Design and Original Music by: Sean Hagerty

Visual Design by: Zach Morris in collaboration with Alberto Denis, Kristin Dwyer, Joshua Gonzales, Justin Lynch, Marissa Nielsen-Pincus, Tara OCon, Edward Rice

Stage Management by: Kristin Dwyer and Taylor Hollister

Production Management by: Kristin Dwyer, Marissa Nielsen-Pincus, and Edward Rice

Produced by: Zach Morris and Edward Rice

Project Support

Third Rail Projects supports the creative endeavors of its partners, Zach Morris, Tom Pearson, and Jennine Willett, and provides infrastructure, production, and administration for their individual and collaborative works.

Collaborators

  • Alberto Denis

  • Kristin Dwyer

  • Joshua Gonzales

  • Sean Hagerty

  • Taylor Hollister

  • Justin Lynch

  • Zach Morris

  • Marissa Nielsen-Pincus

  • Tara Ocon

  • Edward Rice

  • Kim Savarino

Bios

  • A collaborating artist with Third Rail Projects since 2011, Mr. Denis (he/she/they) has been an original collaborating cast member in several of the company’s preeminent works including their Bessie’s Awards winning “Then She Fell” originating the role of Lewis Carroll as well as playing the role of Doctor. completing over 1200 peroformances, “The Grand Paradise” which ran for 11 months in 2016 to critical acclaim originating the role of the Activities Director (and subsequently playing the role of Dad), and in the sold out 73 show run of “Ghost Light” at Lincoln Center in 2017. Most recently he completed a 37 sold out run of “Confection” commissioned by the Folger Shakespeare Library in Washington DC in 2019. Throughout this time he has also supported his burgeoning career as international male burlesque sensation GoGo Gadget, with featured performances at almost 7 years of the New York Boylesk Festivals, featured in the 2012, 2013 & 2016 London Burlesque Festivals, performances in Boston, New York City, Denver, Toronto, Paris, Stockholm and Vienna. He is also a celebrated teaching artist with The New Victory Theater.

  • In a previous life, Kristin (she/her/hers) walked the halls of the Kingsland Ward as a Stage Manager at Then She Fell for over 400 performances. She is thrilled to be collaborating with TRP again after a year away that has sometimes felt longer. Other credits: Eschaton (Chorus Productions); Lab Rat by A$AP Rocky (Remarkable); The Rape of Lucrece (NYSX); A Little Princess (Berkeley Playhouse); The Birds & The Bees Unabridged (Honest Accomplice Theatre); Myths & Hymns (Prospect Theater Co); Good Idea/Bad Idea (Rhinestone Gorilla). BA SUNY New Paltz.

  • Joshua Gonzales (he/him/his) is Mexican-American actor, author, and podcast host, best known for guest-starring and co-starring roles on ABC, Lifetime, and CNN, as well as theatre credits Off-Broadway, on national tours, and on regional stages across the U.S. Joshua has worked with Third Rail Projects in myriad roles on and off stage since 2015, most notably starring as Demetrius / Snout in Midsummer: A Banquet (co-produced with Food of Love Productions). @joshwadam

  • Sean Hagerty (he/him) is a sound designer, composer, and violinist based in NYC. With Third Rail Projects, he's created immersive soundtracks for Then She Fell (Bessie Award), Ghost Light (Lincoln Center), The Grand Paradise, Ikaros (La Jolla), Midsummer: A Banquet, Sweet and Lucky (DCPA), Behind the City, Confection (Folger Shakespeare Library), Roadside Attraction, Oasis (Brookfield Place), and the documentary film Between Yourself and Me. Other shows include Hit the Body Alarm (Performing Garage), the off-Broadway revival of Around the World in 80 Days (Davenport Theater), The Wild Party (DCPA), Hound of the Baskervilles (Weston Playhouse), and 66 one act plays with the Actors Studio Drama School. www.seanhagerty.com

  • Taylor is excited to be working with Third Rail Projects once again! Stage management credits include Looking for Shakespeare's A Midsummer Night's Dream, NYFA's Sweeney Todd, and Third Rail Project's Ikaros.

  • Justin Lynch (he/him) is from Kingston, Jamaica and studied piano performance at the Royal College of Music in London and Boston University. As a dancer, he has worked with Elisa Monte, David Parker/The Bang Group, Christopher Williams, Nicole Wolcott, the Metropolitan Opera and others, and for the past several years has performed as a dancer, actor and pianist with Third Rail Projects, including its long-running shows Then She Fell and The Grand Paradise. He has presented his own work in NYC and Vienna, and was a 2017 danceWEB Scholar at the ImPulsTanz Vienna International Dance Festival. A graduate of Columbia Law School, he leads a double life as an immigration and business attorney for artists and other creative people.

  • Zach Morris (he/him/his) is Co-Artistic Director of Third Rail Projects and co-creator of the immersive theater hits Then She Fell, The Grand Paradise, Sweet & Lucky with the Denver Center for the Performing Arts, and Ghost Light at Lincoln Center Theater’s Claire Tow Theater, among others. Zach's work includes theater, dance, site-specific performance, multimedia installation art/environments, and is particularly interested in how all of these can intersect with audience-centered experiential gatherings. Zach has been honored with numerous awards, including a Chita Rivera award, two BESSIE awards, projects he has collaborated on have garnered a Drama Desk Nomination and an Emmy Award, he was named as one of the 100 most influential people in Brooklyn culture by Brooklyn Magazine. His work has been presented nationally and internationally with the support of numerous grants, commissions, and residencies and he has had the pleasure of teaching, mentoring, and creating new platforms to support the work of artists both at home and abroad. Zach holds a BFA in Directing from Carnegie Mellon University. In recent months, Zach has been practicing taking lots of deep breaths.

  • Marissa Nielsen-Pincus (she/her, Associate Artistic Director) is a performing artist, teacher, and founding member and Associate Artistic Director of Third Rail Projects. Since 2001, she has been a collaborating artist on Third Rail’s creative processes nationally and internationally. In addition to performing, Marissa led the rehearsal directing teams and was Assistant Director for Then She Fell and The Grand Paradise (2016), as well as a member of the directing team for Learning Curve (2016), Third Rail’s collaboration with the Chicago youth theater company, APTP. Marissa teaches performance skills regularly in NYC, as well as nationally and internationally. She is also a certified Body-Mind Centering® Practitioner.

  • Tara OCon (she/her) is a multidisciplinary performing artist, experiential consultant and professional transformation coach. She draws from over a decade of experience devising and performing in immersive and site-specific theater settings; most notably as a collaborating artist with Third Rail Projects where she originated roles in Then She Fell and The Grand Paradise, and was part of the creative cast of Ghost Light, among many other productions over the years. As an independent movement artist and consultant, she leads performance workshops and works with experiential brands and immersive theater-makers to create engaging storytelling experiences for their audience. Her expert coaching program provides creatives of all backgrounds support to meet their goals and enact powerful change with positive impact in their personal and professional lives.

  • Edward Rice (he/they, Associate Managing Director) has worked with Third Rail Projects since 2012 on a number of projects including Then She Fell (Performer), The Grand Paradise (Performer, Directing Team), Learning Curve (Directing Team) and is the company’s Associate Managing Director. He has performed professionally since 2007 (Brian Brooks Moving Company, Jody Oberfelder Dance Projects, Laura Peterson Choreography, Elephant Jane Dance, Alexandra Beller/Dances, Punchdrunk's Sleep No More, NYC, among others). He has taught dance and performance both nationally & internationally and offers workshops through Third Rail Projects. He holds a BS and an MFA in Dance Performance from Illinois State University and the University of Iowa, respectively.

  • Kim Savarino is a performer and choreographer. She’s created site-specific dance/theater works in spaces ranging from traditional stages to concrete backlots, and (once) an old bathroom in a former mental hospital. Kim is a proud company member of Third Rail Projects and La MaMa's Great Jones Rep. Recent performance highlights include a Broadway lab choreographed by Anne Teresa de Keersmaeker, an Italian “spectacle” directed by Romeo Castellucci, and playing Cassandra in Andrei Serban’s revival of The Trojan Women. She studied dance at Flordia State University and acting with the Terry Knickerbocker Studio, and grew up in Southern California and West Virginia.

Press Coverage

“exceedingly elegant and poetic… The company makes remarkable use of silhouette and shadow; they demonstrate a mastery of composition and timing.” — Kathryn Yu, No Proscenium

All Press Coverage

The New York Times | Review | September 9, 2021
“Gathering Apart Until We Can Meet Again” by Alexis Soloski
“A fairy tale, an act of collective creation and, as Third Rail describes it, ‘an offering, for dark nights’…a generous piece… made with kindness and care.”

No Proscenium | Review | September 8, 2021
“Return the Moon’ Shoots for the Stars (The NoPro Review)” by Kathryn Yu
“exceedingly elegant and poetic… The company makes remarkable use of silhouette and shadow; they demonstrate a mastery of composition and timing.”

No Proscenium Podcast | Interview | September 10, 2021
Return the Moon and the Science of Immersion

The Dance Enthusiast | Review | September 22, 2021
“IMPRESSIONS: Third Rail Projects in "Return the Moon’ on Zoom” by Cecly Placenti
“…like nothing I have experienced on Zoom. Part storytelling and part celebration, the interactive virtual experience connects people through shared memory and metaphor when quarantines and social upheaval have highlighted disconnection.”

New York Theater | Review| September 8, 2021
“Return the Moon Review: Third Rail Projects latest site-specific experiment” by Jonathan Mandell
“an eerie, airy 75 minutes that is as much secular ritual as work of theater... one of the most inventive companies in New York”

This Week in New York | Feature | September 9, 2021
”Third Rail Projects’ ‘Return the Moon”
“a melding of celebratory toast, ritual, and folktale… As a bonus, participants get a little package in the mail a few days after the show that lets them relive the tale as well as make their own, which is a lovely touch.”

HVY Journalists | Review | September 5, 2021
“Return the Moon’: A Zoom Masterpiece by Third Rail Projects” by Meagan J. Meehan
“a masterpiece of mixed media that combines text, movement, cinematic visuals, and music... something entirely new, engrossing, haunting, tranquil, and enjoyable.”

References

References

The following have inspired our process in making Return the Moon, its content, and the experience design.  It is not a complete nor comprehensive list, but those which feel most resonant to us:

A Contemporary Ritual for Collective Loneliness, Edward Rice

Buried Moon and Other Stories, Molly Bang

Buried Moon, a Spooky Fairytale

Come, Thou Fount of Every Blessing, Robert Robinson 

Conscious and Unconscious Dialogue, Bonnie Bainbridge Cohen

Emergent Strategy, Adrienne Maree Brown

Investigating Legends of the Carrs, A Dissertation by Maureen James

Legends of the Lincolnshire Cars. Part I, Marie Clothlide Balfour

* The Buried Moon story was originally shared with Ms. Balfour by a child named Bratton (likely Fanny Bratton, according to a dissertation by Maureen James)

Majesty, Jack Williams Hayford 

Milta Vega-Cardona; wisdomstrategyinnovation.com

More English Fairy Tales, Joseph Jacobs; illustrations by John D. Batten

National Geographic; Research Library; Encyclopedic Entry: Bog

Nicole Brewer; nicolembrewer.com

No Rest for the Wicked, Andrea L. Peterson

Sana Sana Colita de Rana, Latin American nursery rhyme (via Joshua Gonzales’ parents)

Tales of Wonder Every Child Should Know, Kate Douglas Wiggin and Nora Archibald Smith

Talking To Strangers, Malcom Gladwell

The Art of Gathering, Priya Parker

The Buried Moon

The Buried Moon

The Buried Moon

The Buried Moon, Miles Kelly 

The Buried Moon, Sur La Lune 

The Moon is Dying While We Fight,  Article on Dead Moon

The Moon: Myth, Magic, and Fact, Diana Brueton

Theater of the Imagination, Dr. Clarissa Pinkola Estés

Unearthing the Occult: Necromancy and Magic in Seventeenth-Century England, David Barrowclough

Warming the Stone Child, Dr. Clarissa Pinkola Estés

Special thanks to: David Grabarek,  Circulation and Archival Assistant, Library of Virginia and Kristin Grabarek, Reference Librarian, Denver Public Library.