REEL
“An elegant, half-hour work that, by the power of love and beauty, softens the austerity of this imposing environment.” – Eva Yaa Asantewaa
“Their movement—now angular and thrusting against the air, now sinuously splayed against the ground—looked as if it might belong to an ancient tribal culture with ties to various postmodern nations, and it was thrilling.” – Tobi Tobias, The Village Voice
About REEL (2005)
A Co-Production of the Lower Manhattan Cultural Council’s SiteLines series and the National Museum of the American Indian, New York (at the National Museum of the American Indian)
REEL (2005) by Tom Pearson (Coharie), is a site-specific work commissioned for the Lower Manhattan Cultural Council’s SiteLines series at the Smithsonian National Museum of the American Indian (NMAI) which turns the gaze back at the multiple levels of scrutiny within the old U.S. Customs House Rotunda. The performance explores the ideas of dominance which are inherently bricked into the architecture and puts pressure on the images of guardianship that manifest throughout–from the front-door security check point, to the hidden surveillance cameras on the wall, posted guards, and last but not least, images of colonial figures gazing down from potraits on the walls, Christopher Columbus among them. Pearson’s public offering intervenes to shift the point of view to one of a Native and integrated perspective that amplifies the dichotomies of the space by spotlighting the incongruity of Native cultural artifacts hidden behind glorified colonial facades. The projects’ goal is to warm the space, and ultimately reclaim it by shifting power to the performers as they dive into their own questions of inheritance, and through movement both furious and nuanced, incrementally reveal the seeds of reconciliation.
“As the musicians slowly circle the rotunda's interior, the score shifts from eerie whispers and chants to a deafening cacophony of drums. Ultimately, the ghosts of the rotunda come to life…”
– Gia Kourlas, The New York Times
Credits
The Lower Manhattan Cultural Council and
the National Museum of the American Indian present
REEL
by Tom Pearson
Creative Team
Choreography & Direction by Tom Pearson
Created in collaboration with and performed by:
Donna Ahmadi, Marissa Nielsen-Pincus, Tom Pearson, and Mayuna Shimizu
Assistant Director: Tori Sparks
Live Score by: Louis Mofsie with the Heyna Second Sons and Rob Mastrianni
Installation Design: Matt Gratz
Costume Design: Michiko Hisamoto
Production
Production Stage Manager: Karen Oughtred
Filmed by: Kathleen Green
REEL was originally commissioned for the Lower Manhattan Cultural Council's SiteLines series and co-presented with the Smithsonian National Museum of the American Indian in New York City. REEL was part of the River to River Festival 2005. Material for REEL was created while in residence at LMCC's MOVE: 133 Beekman in space generously provided by General Growth Properties, Inc. Additional support for the work came from Materials for the Arts/New York City Department of Cultural Affairs/Department of Sanitation, and Third Rail Projects with support from individual and institutional donors
Press Coverage
The Village Voice | REEL | July 19, 2005
Review: “Contemporary Work Evokes the Rituals of First Americans in Unique Urban Space” by Tobi Tobias: “Their movement—now angular and thrusting against the air, now sinuously splayed against the ground—looked as if it might belong to an ancient tribal culture with ties to various postmodern nations, and it was thrilling.”
Dancing with Eva Yaa Asantewaa | REEL | July 9, 2005
Exclusive Review by Eva Yaa Asantewaa
“… an elegant, half-hour work that, by the power of love and beauty, softens the austerity of this imposing environment.”
The New York Times | REEL | July 15, 2005
Photo Feature & Preview by Jack Anderson
“REEL choreographically uses the rotunda of a former United States Customs House to comment on themes of dominance and reconciliation.”
The New York Times | REEL | July 9, 2005
Review: “Reconciling the Power of Space” by Gia Kourlas
“As the musicians slowly circle the rotunda's interior, the score shifts from eerie whispers and chants to a deafening cacophony of drums. Ultimately, the ghosts of the rotunda come to life…”
New York Press | REEL | May 25-31, 2005
REEL (Preview) by Chris Dohse
“Tom Pearson’s REEL uses its site at the rotunda of the Old U.S. Customs House to interrupt the city’s daily travel grid.”
American Indian Magazine | REEL | Summer 2005
Photo Listing
TriBeCa Tribune | REEL | July/August 2005
Photo Feature/Free Music & Dance Guide